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Date: Tue, 26 Mar 1996 12:53:18 -0500
From: Taylor Sherman LARK`S TOUNGES IN ASPIC, PART II by King Crimson [transcribed by Taylor Sherman] Intro: ----------------------|------------------|- ----------------------|------------------|- --3-x-x-3-x-x-3-x-3-x-|--3-x-x-3-x-x-3-x-|- --3-x-x-3-x-x-3-x-3-x-|--3-x-x-3-x-x-3-x-|- --3-x-x-3-x-x-3-x-3-x-|--3-x-x-3-x-x-3-x-|- ----------------------|------------------|- A B Play part (A) 3 times, then: ------------------------------------------ ------------------------------------------ ------------------------------------------ ------6-----6-----5----------------------- ----5-----5-----4------------------------ --3-----3--------------------------------- Then part (A) once, then part (B) once, then: ----------------------|------------------- --------------------7-|------------------- ------------------5---|-----9-----9---8--- ------6-5-----4-5-----|---8-----8---7----- ----5-----4-3---------|-6-----6----------- --3-------------------|------------------- Then some unknown chord w/ same rhythm as Ax1 Bx1 Then: ----------------------|------------------- --------------------7-|------------------- ------------------5---|-----5-----5---4--- ------6-5-----4-5-----|---4-----4---3----- ----5-----4-3---------|-2-----2----------- --3-------------------|------------------- Then another unknown chord Ax1 Bx1, then the same pattern as above but at different frets. This happens once again, the pattern is always the same it`s just modulated to another fret. Then: ------------------------------------------ ------------------------------------------ -------------------0---------------------- --7----7----7----7------------------------ --8--5-8--5-8--5-8------------------------ ------------------------------------------ The first measure here is in 11/8, counted: ONE two Three FOUR five Six SEVEN eight Nine TEN Eleven (with Caps=upbeat, ALL CAPS=downbeat) Then the next few are in 5/4, counted: ONE two Three FOUR five Six SEVEN Eight NINE Ten Each time (but one) they come in to the quieter building parts, the first measure is in 11/8 as above, then they settle into 5/4. At the end of one of the building sections, RF plays: ---------------------------------------- ---------------------------------------- ---------------------------------------- --5-6-r-6-5-r-3-5-r-5-6-r-6-5-r-3------- --5-6-r-6-5-r-3-5-r-5-6-r-6-5-r-3------- ---------------------------------------- (even eighth notes) Then the bass kicks in for two bars of 5/4, then the whole band kicks in with RF playing the above, which is in 4/4 it turns out. I think at this point they cease playing in the same time measure. . .have to check that one out. I know there are some errors in this, and I`ve left some things out, so feel free to append as necessary. Taylor Sherman
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