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From: schn0170@maroon.tc.umn.edu (Adam Schneider)
PAST THE POINT OF RESCUE (by Mick Hanly; recorded by Hal Ketchum) ----------------------------------------------------------------- [Each chord is one measure; tablature for the instrumental bits is at the end.] Em Em D D A A Em Em [intro: instrumental 1] Em Em D D Last night I dreamed you were back again C G D Em Em Larger than life again, holding me tight again Em Em D D Placing those same kisses on my brow C G D Em Sweeter than ever now, lord I remember how D D Em Em Couldn`t get enough of kissing, do you know how much you`re missing D D A A No you don`t, but I do Em Em Em Em [instrumental 2] The days like a slow train trickle by And even the words that I write refuse to fly All I can hear is your song haunting me Can`t get the melody out of my head, you see Distractions I`ve been using, do you know how much you`re losing No you don`t, but I do Em Em [instrumental 3] G G C G But I do, and I wonder if I`m past the point of rescue C G Em D Is no word from you at all the best that you can do D D Em Em I never meant to push or shove you, do you know how much I love you D D A A No you don`t, but I do Em Em D D A A Em Em [instrumental 1, same as intro] I swore I`d never fall like this again Fools like me never win, came to my knees again Can`t close the door on the likelihood Things might be just as good, I always believed they would Gotta let your love invite me, baby do you think it might be No you don`t, but I do [instrumental 3] But I do, and I wonder if I`m past the point of rescue Is no word from you at all the best that you can do I never meant to push or shove you, do you know how much I love you No you don`t, but I do [instrumental 3] But I do, and I wonder if I`m past the point of rescue Is no word from you at all the best that you can do I never meant to push or shove you, do you know how much I love you No you don`t, but I do I know you don`t, but I do I know you don`t, but I do [instrumental 1; repeat and fade with ad-lib harmonics] TAB: [ = is a hammer-on or pull-off; ~ is a bend; "harm" is a harmonic. ] INSTRUMENTAL 1 (intro, end of 1st chorus, fade-out): Em Em D D E ----------------|----------------|----------------|----------------| B ----------------|----------------|----------------|----------------| G ----------------|----------------|----------------|----------------| D ----2-----0-----|0=2---------0=2-|----2-----0-----|0=2---------0=2-| A ----------------|--------0=2-----|----------------|--------0=2-----| E ----------------|----------------|----------------|----------------| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . A5 A5 Em Em E ----------------|----------------|--------12(harm)|12(harm)--------| B ----------------|----------------|----12(harm)----|12(harm)--------| G ----------------|----------------|----------------|----------------| D ----2-----0-----|2---0-----------|----------------|----------------| A ----------------|--------2=0-----|----------------|----------------| E ----------------|------------3~--|0---------------|----------------| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . INSTRUMENTAL 2 (end of first verse): Em Em Em Em E --------|----------------|----------------|----------------|----------------| B --------|----------------|----------------|----------------|----------------| G --------|----------------|----------------|----------------|----------------| D --------|----2-----0-----|0=2---------0=2-|----2-----0-----|02--0-----------| A 0=2-----|----------------|--------0=2-----|----------------|--------2=0-----| E ----3~--|0---------------|----------------|----------------|------------3~--| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . INSTRUMENTAL 3 (before all choruses): Em Em E --------|----------------|----------------| B --------|----------------|----------------| G --------|----------------|----------------| D --------|----2-----0-----|02--0-----------| A 0=2-----|----------------|--------2=0-----| E ----3~--|0---------------|------------3~--| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
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