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Ralph McTell
Rizraklaru (Drop D tuning, Capo 2) Fig.1 E|-10-----------9-----------7--9--10--9-----------| B|-----7-----7-----7-----7----------------10-7----| G|--------7-----------7-------------------------7-| D|------------------------------------------------| A|--------------0-----------------------0---------| D|-0------------------------0---------------------| E|-10-----------9-----------7--9--10--9-----------| B|-----7-----7-----7-----7----------------10-7----| G|--------7-----------7-------------------------0-| D|------------------------------------------------| A|--------------0-----------------------0---------| D|-0------------------------0---------------------| Fig.2 E|------5---------3---------------5---------3----| B|-s/5-----5----------3------s/5-----5---------3-| G|-s/6--------6-----------4--s/6--------6--------| D|-s/7------------5----------s/7------------5----| A|---0-------------------------0-----------------| D|-----------------------------------------------| E|---------------------------------| B|-0--2--3-----0-------------------| G|----------2-----0--2-------------| D|-------------0--------4--5-----4-| A|-------0-----------0--------0----| D|-------------------------------0-| Fig.3 E|-------------------------------------0--2--3--5-| B|----------------------3-----0--2--3-------------| G|-------------------0-----0----------------------| D|----------0--2--4-----------------------0-------| A|-0--2--4----------------------------------------| D|----------------------------------0-----------0-| E|-------------------------------------0--2--3--5-| B|----------------------3-----0--2--3-------------| G|-------------------0-----0----------------------| D|----------0--2--4-----------------------0-------| A|-0--2--4----------------------------------------| D|----------------------------------0-----------0-| E|----0--2--3--------0----------| B|-2-----------0--3-----2-----3-| G|-------------------------0----| D|-------------------0----------| A|----------2-------------------| D|----------------------------0-| N.B. From this point onwards guitar 2 comes in to complement the melody. Listen to the recording for the timing of guitar 2 over guitar 1 (listen with headphones to better hear each part, the two guitars are panned to extreme left and right). Fig.4 (Guitar 2 over Fig.1) E|-2-----------0------------------------------------| B|-------------------------3--------2---------------| G|----2-----2-----2-----2-----2-----------2---------| D|-------0-----------0-----------0------------4-----| A|------------------------------------------------0-| D|-0-----------0-----------0-----------0------------| E|-2-----------0------------------------------------| B|-------------------------3--------2---------------| G|----2-----2-----2-----2-----2-----------2---------| D|-------0-----------0-----------0------------4-----| A|------------------------------------------------0-| D|-0-----------0-----------0-----------0------------| Fig.5 (Guitar 2 over Fig.2) E|----0----------------------------------------| B|-5-------------------------------------------| G|-6-----6----------4------------2-----------0-| D|-7---------7------------0------------2-------| A|-0-------------------------------------------| D|---------------------------------------------| E|-----------------0--2--3---------0----| B|--------------3---------------2-----3-| G|-----------0---------------0----------| D|-0--2---------0---------------------0-| A|---------------------------0----------| D|-------0------------0---------------0-| Fig.6 (Guitar 2 over Fig.3) E|----------0--2--3--5-----2--3--5--3--2--0----| B|-2--3--5--------------3--------------------3-| G|---------------------------------------------| D|-------------0--------0----------------------| A|---------------------------------------------| D|-------0-----------0-----------------------0-| E|----------0--2--3--5---------------------------| B|-2--3--5---------------------------------------| G|-----------------------------------------------| D|-------------0------------------0--------------| A|-----------------------0--2--4-----0--2------0-| D|-------0-----------0----------------------4----| E|------------------| B|------------------| G|------------------| D|----0-------------| A|----------2-------| D|----------------0-| Fig.7 After the ascending piece (Fig.3) has been played through twice it changes to this: E|-------------------------------------------------| B|-------------------------------------------------| G|-------------------------------------------------| D|----------0------------------------------------0-| A|-0--2--4-----0--2-----0--------------0--2--4-----| D|-------------------4-----0--2--4--5--------------| E|----------------------------0--2--3--------0---------| B|----0--2--3-----0--------2-----------0--3-----2----3-| G|-2-----------2-----0--2--------------------------0---| D|----------------0--------------------------0---------| A|----------------------0-----------0------------------| D|----------0----------------------------------------0-| Fig.8 (Guitar 2 over Fig.7) E|-------------0--2--3--5-----2--3--5--0------------| B|-0--2--3--5--------------3--------------0--2--3---| G|--------------------------------------------------| D|----------------0-----------------------------0--0| A|-------------------------------0------------------| D|----------0-----------0---------------------------| E|---------------------------------------| B|---------------------------------------| G|----------------------0--2--0----------| D|----------0-----2--4-----------4--2--0-| A|-0--2--4-------------------------------| D|---------------------------------------| Tabbed by Paul Bamford bombardier1979@lycos.co.uk
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